MANITOGA, the House, Studio and 75-acre Woodland garden of mid-century designer Russel Wright (1904-1976), is a National Historic Landmark, an Affiliate Site of the National Trust for Historic Preservation, and a World Monuments Watch Site. It is one of the few 20th century modern homes open to the public in New York State.



Located in Garrison, New York, approximately one hour north of New York City, Manitoga is the former home and 75-acre woodland garden of American industrial designer Russel Wright (1904-1976). Manitoga is a National Historic Landmark, an Affiliate Site of the National Trust for Historic Preservation, and one of the few 20th century modern homes with original landscape open to the public.

Manitoga/The Russel Wright Design Center stewards Manitoga as the embodiment of Wright’s design philosophy and life’s work and celebrates good design for living in creative harmony with nature through tours, programs, events, and free year-round access to woodland trails.

Manitoga's 2019 Tour Season is from May 10 to November 11. Viewing of the House & Studio is by guided tour only. Advance tickets required at BrownPaperTickets.com. Visit the Tours Page for details. 

Dragon Rock HOUSE

After studying the site over many years, Russel Wright hired architect David Leavitt (1918-2013) to help him realize Dragon Rock, the name given to the House, Studio, and immediate quarry landscape. Leavitt, who had worked in Japan with architect Antonin Raymond, shared Wright’s appreciation of Japanese architecture and landscape design, evident in the House and Studio through scale, structure, intimacy, and details.

Distinctive features of the House include large expanses of glass allowing for views of the 30 foot Waterfall, the Quarry Pool, and surrounding landscape. A large, smooth, cedar tree trunk functions as a design element and is the main structural support of house. Boulders, plantings, and stone terraces are positioned to bring the outdoors in, blending architecture and landscape. Unique built-in architectural artifacts, designed by Wright, fuse natural and man-made materials in new and unexpected ways.  Here, we see luminous butterfly wings pressed between sheets of translucent plastic, pine needles embedded in green plaster walls, and a roof covered with a lush carpet of native plants.

Wright intended Manitoga to be not only a home for himself but “an exaggerated demonstration of how individual a house can be.”  He shaped Dragon Rock into a house of high drama, a theme evident from its approach -- a vine-draped wooden pergola separating the house and studio, seductively veiling the view of the Waterfall.

Over the last decade, a series of restoration projects addressed the House windows and doors, and the installation of a new green roof, among other improvements.  With the building envelope now restored, Manitoga is poised to begin work on much-anticipated interior restoration.

Dragon Rock has been featured in numerous books and publications, including Life, The World of Interiors, Modernism, Preservation, and most recently, Don Freeman’s 2014 film Art House



The Studio was Russel Wright’s personal space where he slept and worked. It illustrates many of the recurring themes at Manitoga including an integration of the built and natural environment, the influence of Japanese design, the juxtaposition of natural and synthetic materials, and efficiency and functionality.

Distinctive features include a “worm’s eye view” upon entering the space, pocket windows on three sides which, when lowered, meld the indoors with outdoors, and a moon-faced doorknob to the adjoining terrace where Wright would sit and look at the moon. Ceiling treatments are many and include painted epoxy embedded with white pine needles, fluorescent tubes softened by quilted canvas, and illuminated panels. The cedar-lined bathroom is inspired by Pullman train cars.

A number of Wright designed furnishings are on view in the Studio including an early 1930s black lacquer lazy Susan coffee table and a bedside table manufactured by Statton that embodies Wright’s focus on easy functionality.

From 2001 to 2004, the Studio underwent extensive restoration. It opened to the public in 2004 and includes Wright’s recreated white Formica desk, his Herman Miller “relax” chair, collectibles from his travels, an ashtray and a signature pack of Salem cigarettes.

Photos: Top to Bottom: Dragon Rock House and Studio, Vivian Linares; Kitchen at Dragon Rock, Robert Penner Photography; Russel Wright's Studio, Rob Penner Photography